THE SECRET HISTORY OF MONSTERS

A guide to the ups and downs of Cinema's
greatest Creatures

(Originally published in Hotdog, December 2005)

Ever wondered what Kong was getting up to between his infrequent movie appearances? Wonder no longer, as we unearth the behind-the-scenes lives of cinema’s greatest (and not so greatest) monsters…

KONG (KING KONG, 1933)
He may have initially struggled to match his1933 success, but Kong finally found massive acclaim on the London Stage, particularly during his unbroken two-year run as Bottom in A Midsummer Night’s Dream. Romantically linked with a string of screen beauties including Jean Harlow and Katherine Hepburn, Kong remained a committed bachelor, spending most of the Forties and Fifties as a representative of the World Wildlife Fund. Probably the most unexpected turn in his lengthy career was his Avant-Garde period in the Sixties, immortalised in the Andy Warhol film “Kongdom”- a four and a half hour single shot of the giant ape asleep in front of New York’s Carnegie Hall. Appearing in the unsuccesful1974 King Kong remake was an unwise move, resulting in Kong losing out on a role in Beyond The Poseidon Adventure, while his self-written sitcom “Who Brought The Ape?” was eventually cancelled after two seasons. He now lives in Northern California running his own vineyard, and is credited as an “Executive Consultant” on Peter Jackson’s remake.

GODZILLA (GOJIRA, 1953)
Fondly referred to as ‘the hardest working Monster in show-business’, the 50-metre tall radioactive lizard and self-confessed ‘Renaissance Beast’ has barely stopped working between his 28 movies. Since 1964, he’s appeared regularly on Japanese television in the Sesame Street-style education show Gojira Chikara Kazu!! (Number Power Godzilla), where he teaches children to count how many buildings he’s just knocked down. The Eighties saw the start of the Big G’s infamous talk show Shiawasena Gojira (Godzilla Happy Chat), while he’s recently moved into directing with a series of highly acclaimed (and destruction-heavy) arthouse dramas.

T-REX (JURASSIC PARK, 1993)
The star of Jurassic Park started developing a substance abuse problem when his starring role in the mooted remake of One Million Years B.C. failed to materialise. After being overshadowed in Jurassic Park III by the supposedly scarier Spinosaurus, the T-Rex was arrested for drunk and disorderly conduct on the Universal Studios lot. In and out of rehab for the next few years, the T-Rex has now cleaned up its act, spending much of its time hanging out with Corey Feldman, and is strongly tipped for a comeback with a vital role in Quentin Tarantino’s Inglorious Bastards.

THE SCORPION KING (THE MUMMY RETURNS, 2001)
Widely mocked at the time for his unconvincing, CGI-like appearance, the Scorpion King made the move into professional wrestling, but was booted out of the sport for accidentally slicing the heads off some of his opponents. After an unwise attempt at shifting careers into Telemarketing, he was declared bankrupt in 2004, and is currently living as a derelict on the streets of Downtown L.A. According to reports, he can regularly be found flexing his claws outside the Bradbury Building wearing a cardboard sign that says “Will Raise Eyebrow For Food”.

THE BALROG (LORD OF THE RINGS: THE FELLOWSHIP OF THE RING, 2001)
Already a legend on the Lord of the Rings set for his practical jokes involving banana skins and lava, the Balrog’s hard-drinking lifestyle was exposed after he publicly brawled with one of the Nazgul’s Fell Beasts at a 2003 post-Oscar party. Despite this, he remains friends with all the Rings cast members, and his cameo opposite Orlando Bloom in Elizabethtown will be re-instated on the forthcoming DVD release. He lives in a New Zealand volcano, and is currently suing Peter Jackson for a percentage of the profits from Fellowship of the Ring,

BRUCE THE SHARK (JAWS, 1975)
After many years trying to get out of the iron-clad contracts that forced him into the shoddy Jaws sequels, Bruce The Shark has finally left the world of Hollywood far behind. He now lives at an exclusive resort in the Cayman Islands, where he’s allowed to snack on any guests who don’t pay their bills on time, and is strongly rumoured to be writing a candid expose of his film career that will ‘set the record straight’ on the supposed rift between him and Steven Spielberg.

THE SKELETONS (JASON AND THE ARGONAUTS, 1963)
The sword-wielding stars were an instant success in the early Sixties thanks to their novelty hit record version of “Dem Bones”. Sadly, the sextet soon split for artistic reasons, with one Skeleton recording a 3-volume concept album, and another launching a series of pop art “happenings” with fellow Argonauts star Talos. Thankfully, the group was re-united in the mid-Eighties as a result of the “We Are The World” Ethiopia charity single, and today can still be found performing their spectacular “Boneyard” theatrical extravaganza at the Mirage Hotel in Las Vegas.

DRACO (DRAGONHEART, 1996)
Despite Dragonheart’s lack of success, Draco the last dragon did, briefly, manage to carve out a successful career as a witty, urbane sidekick in TV shows like Dragon P.I. and Flaming Hell, but his flippant attitude soon stalled his film career when he got himself fired from As Good As It Gets, with his rolebeing switftly rewritten to fit his replacement Greg Kinnear. Draco currently runs his own Flame Grilled Barbecue restaurant in the San Fernando Valley, as well as earning money on the side doing Sean Connery-impersonating prank calls.